An art historian, curator, and celebrated visual artist, Lewis devoted her life to spotlighting other Black creatives.
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On December 18, LA Louver and Beyond Baroque will host Myriam J.A. Chancy, Hartley Burr Alexander Chair in the Humanities, and Alison Saar ’78 for a reading and conversation. Chancy will read from her recent novel, What Storm, What Thunder.
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The Pasadena Star-News reviewed sculptor and printmaker Alison Saar ’78’s exhibition Alison Saar: of Aether and Earthe, on display concurrently at both the Armory Center for the Arts in Pasadena and the Benton Museum of Art at Pomona College.
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Alison Saar ’78 is part of the first cohort of artists selected to create art for the Destination Crenshaw development, per the Los Angeles Wave. The project is reportedly the largest public-private commission initiative undertaken by and for Black artists.
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The Los Angeles Times reviewed “Of Aether and Earth,” an exhibition of work by Alison Saar ’78 currently on view at both the Armory Center for the Arts in Pasadena and the Benton Museum of Art at Pomona College.
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Two works by renowned sculptor and printmaker Alison Saar ’78, a statue titled “Imbue” and an installation titled “Of Aether and Earth,” are on display at the new Benton Museum of Art at Pomona College, the Claremont Courier reports.
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Alison Saar ’78’s sculpture Inheritance (2009) will be featured in the Westmont Ridley-Tree Museum of Art’s upcoming virtual exhibition, which highlights selections from the museum’s permanent contemporary art collection.
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Alison Saar ’78, whose upcoming exhibitions will take place in Claremont and Pasadena when pandemic guidelines allow, discussed her work, creative process, and recent benefit print for Black Lives Matter with the New York Times.
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Meher McArthur, Gabrielle Jungels-Winkler curator of academic programs and collections at the Ruth Chandler Williamson Gallery, previewed three of Alison Saar ’78’s upcoming Los Angeles-area exhibitions for KCET. McArthur described Saar as “an unstoppable force in the world of art.”
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Perhaps you can go home again, after all: Scripps celebrates the return of alumna Alison Saar ’78, renowned sculptor and printmaker, this fall in Mirror, Mirror, The Prints of Alison Saar, from the Collections of Jordan D. Schnitzer and His Family Foundation. Saar, who unflinchingly confronts race and gender with a mix of bitter humor and tenderness, doesn’t confine her prints to paper.
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