The exhibition, which opened on August 26, honors the legacy of Scripps College Professor Emerita of Art History Samella Lewis and features works by Black artists, including Scripps alum Alison Saar ’78.
Read More
The exhibition examines the historical and contemporary layers of Black womanhood in the United States.
Read More
An art historian, curator, and celebrated visual artist, Lewis devoted her life to spotlighting other Black creatives.
Read More
On December 18, LA Louver and Beyond Baroque will host Myriam J.A. Chancy, Hartley Burr Alexander Chair in the Humanities, and Alison Saar ’78 for a reading and conversation. Chancy will read from her recent novel, What Storm, What Thunder.
Read More
The Pasadena Star-News reviewed sculptor and printmaker Alison Saar ’78’s exhibition Alison Saar: of Aether and Earthe, on display concurrently at both the Armory Center for the Arts in Pasadena and the Benton Museum of Art at Pomona College.
Read More
Alison Saar ’78 is part of the first cohort of artists selected to create art for the Destination Crenshaw development, per the Los Angeles Wave. The project is reportedly the largest public-private commission initiative undertaken by and for Black artists.
Read More
The Los Angeles Times reviewed “Of Aether and Earth,” an exhibition of work by Alison Saar ’78 currently on view at both the Armory Center for the Arts in Pasadena and the Benton Museum of Art at Pomona College.
Read More
Two works by renowned sculptor and printmaker Alison Saar ’78, a statue titled “Imbue” and an installation titled “Of Aether and Earth,” are on display at the new Benton Museum of Art at Pomona College, the Claremont Courier reports.
Read More
Alison Saar ’78’s sculpture Inheritance (2009) will be featured in the Westmont Ridley-Tree Museum of Art’s upcoming virtual exhibition, which highlights selections from the museum’s permanent contemporary art collection.
Read More
Alison Saar ’78, whose upcoming exhibitions will take place in Claremont and Pasadena when pandemic guidelines allow, discussed her work, creative process, and recent benefit print for Black Lives Matter with the New York Times.
Read More
