Celebrated Visual Artist Speaks on “Architecture for the Remainder” at Scripps

Mildred Howard, prominent San Francisco visual artist, will give a slideshow and lecture on "Architecture for the Remainder" on Tuesday, April 23, at 7:00 p.m. in the Hampton Room of the Malott Commons on the Scripps campus. Immediately following will be a reception. This event is free and open to the public.

The recipient of numerous awards and fellowships for her unique and culturally significant work, Howard earned the prestigious Anonymous Was A Woman Fellowship in 2000 and is a 2002 recipient of the mid-career grant from the Flintridge Foundation in Pasadena. Howard is a prolific mixed media and installation artist who explores a wide range of historical and contemporary experiences and themes, with a particular emphasis on her Black American heritage. Her installations, composed of iconic objects from the past, are symbols for the way in which we construct memory and form racial, familial and cultural history.

Though her professional art career began in the 1970s, Howard has increasingly gained notoriety and critical praise in the last decade for her striking life-sized compositions, such as "In the Line of Fire," a piece which portrays multiple cut-out images of an African-American soldier arrayed in bowling-pin fashion to suggest unity of cause, unheralded valor, and prevalent and ironic segregation, even in battle.

Howard’s work has been exhibited in numerous national galleries and venues including The New Museum of Contemporary Art in New York, Berkeley Art Center, San Francisco Art Institute, San Francisco International Airport, and Nielsen Gallery in Boston, and internationally at The City Gallery in Leicester, England, Galerie Resche in Paris, France, and Galeria de Arte in Oaxaca, Mexico.

A former arts administrator with the California Arts Council and San Francisco’s Exploratorium, Howard received a master’s degree in fine art from John F. Kennedy University, and continues to live and work in the San Francisco Bay Area.

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