Between Preservation and Destruction: Bernd and Hilla Becher’s Archive of ‘Anonymous Sculpture

June 1, 2015

CFD Postdoctoral Fellow in Art History Priyanka Basu published “Between Preservation and Destruction: Bernd and Hilla Becher’s Archive of ‘Anonymous Sculpture,’” in Edinburgh German Yearbook 9: Archive and Memory in German-Language Literature and Culture, ed. Dora Osborne (Rochester, NY: Camden House, 2015), 23–43. (forthcoming November 2015, peer-reviewed) and “Art Historical ‘Borderlands’: Elisabeth Wilson, Martin Heydrich, and August Schmarsow on ‘Primitive’ Ornament,” Journal of Art Historiography 12 (June 2015), special issue on “Interpretations of ‘Primitive Art’ in European Scholarship and Museums in the Decades around 1900,” eds. Wilfried van Damme and Raymond Corbey. (peer-reviewed, invited contribution).

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